Tri Form Series
Expansion of Structure, Form, and Space and the Formation of a Triple System
Tri Form Series presents a body of work in which the fundamental formal elements introduced in BYR Prime Elements are extended and recombined into a more complex structural configuration.
In BYR Prime Elements, the relationships of Blue–Square, Yellow–Triangle, and Red–Circle functioned as independent formal units. In this series, however, these elements are no longer confined to their original formal correspondences. Instead, they are expanded into three broader plastic concepts—Structure (Gyeok), Form (Hyeong), and Space (Gong)—and recombined within a single system.
Blue and Square are thus rearticulated as structure, forming the framework that supports the whole; Yellow and Triangle become form, generating physical density and visual presence; and Red and Circle are transformed into space, organizing the intervals and relations between elements. Each component thereby assumes an expanded role within the overall system.
Integration of the Three Elements and Formation of Structure
In the Tri Form Series, the three elements are not arranged in parallel. They operate simultaneously within a single structure, influencing one another’s position and function in the formation of the whole.
The structural element (structure) acts as the framework that sustains the system, while the formal element (form) establishes visual weight and concentration within that framework. At the same time, space emerges between elements, separating and connecting them while regulating the overall balance of the structure. These three elements do not maintain a fixed hierarchy. Their relative significance and relationship shift according to the mode of combination, producing different structural configurations.
Balance and Tension
A key characteristic of this series lies in the fact that the three elements do not converge into a single center. Instead, each element generates tension in a different direction, and the overall structure is maintained through the balance of these tensions. In some configurations, structure is emphasized, resulting in a more stable form; in others, form or space becomes dominant, producing a more dispersed and dynamic impression. The perceived center may shift depending on the viewpoint, and the work resists being read as a fixed composition. Rather, it presents a condition that can be interpreted from multiple orientations.
Formation of Form
In the Tri Form Series, form is not a predetermined outcome, but something that emerges through the relationships among the three elements. Structure supports form; form becomes visible within space; and space, in turn, regulates the relationship between structure and form.
In this process, no single element exists independently. Each acquires meaning only through its connection with the others. Form is therefore understood not as a fixed entity, but as a state produced through interaction.
From Elementary Units to an Expanded System
This series demonstrates the process through which the fundamental units introduced in BYR Prime Elements are expanded into a coherent system.
Where the earlier stage presented individual elements as discrete units, the Tri Form Series organizes these elements into a unified structure, advancing toward a more complex treatment of form through relational conditions. The basic formal units are thus extended into the three plastic principles of structure, form, and space, which then operate together within a single system.
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Tri Form Series shows how the fundamental elements—Blue–Square, Yellow–Triangle, and Red–Circle—are expanded into the three conceptual categories of structure, form, and space, and how these elements combine to generate a unified structure.
Rather than presenting a single resolved form, the series unfolds through a range of possible states produced by the interaction of these three elements. It is not centered on a fixed outcome, but on the dynamic condition in which structure, form, and space continuously interact and reorganize.
What is 'Schematic Medium'?
‘Schematic Medium’ is the core methodology penetrating my artistic world. It is a structure of thinking that does not seek to reproduce the essence of the world, but rather to model how the world operates. This term is defined on two levels
Schematic Chart
The left sector of the chart contains a deep exploration into how I dissect and perceive the source of life and existence. Core concepts like 'Origin', 'Universe', 'Nature', and 'Chaos' are interwoven with the physical dimensions of 'Time' and 'Space.' This reveals that I perceive the world not as a mere phenomenon, but by deconstructing it into fundamental forces and orders. Crucially, the Holon philosophy offers an integrated perspective, showing that every entity is both 'the whole and the part', forming the core pillar of my ontological thought. This sector is the solid foundation of my artistic contemplation and the very manner in which I perceive the cosmos and the self.
Featured Characters
In the Schematic Chart, my emanated self, RD (Revolutionary Debris), appears alongside other characters. These characters show how my mind and artistic world are structured, and guide viewers to explore my world with enjoyment. Each character goes beyond being a simple symbol and carries the operating principles of the Schematic Medium and hints about forthcoming works. Through this, viewers do not merely appreciate my work but pre-experience another narrative and the possibility of expansion. In the end, this chart is a map that reflects a dimension we do not see in everyday life. Through it I clarify the way I understand and express the world and offer viewers a new visual and philosophical experience. I wish to share not only simple artistic expression but deep thinking and an original perspective.
BYR 99 Prime Elements
BYR 99 Prime Elements constitutes the most fundamental structural framework of Kim Heejo’s visual language. The series establishes the minimal unit of form through ninety‑nine elements—thirty‑three each of Blue, Yellow, and Red. Each element carries a specific formal code: Blue (square / human), Yellow (triangle / nature), and Red (circle / cosmos), and the relationships among these three elements generate the artist’s visual system.
BYR Organic Schemata
BYR Organic Schemata develops from the structure of BYR Prime Elements and demonstrates the organic expansion of the formal system. Through the combination and variation of the basic elements, new configurations of form and structure emerge. The series moves beyond simple geometric units to explore a more fluid and organic visual order.
BYR Quad Origin
BYR Quad Origin investigates the generative principles of form by reducing the fundamental elements of the BYR system into a geometric structure. Within the relationships between basic forms and colors, the works examine structure, balance, and tension. Through minimal compositions, the series reveals the structural foundation of the BYR visual language while allowing diverse formal variations.
Tri Form Series
The Tri Form Series rearticulates the conceptual structure of BYR Prime Elements as a unified system. Whereas Blue (Gyeok), Yellow (Hyeong), and Red (Gong) were previously presented as independent formative principles, here they are reconfigured to operate simultaneously within a single, integrated structure.
Core Searching series: ‘Semi-Circle & No.9’ Drawing Series
Core-Searching Drawings are early works that investigate the fundamental structure of the artist’s visual language. Through repeated variations of simple forms and signs, the drawings explore the process through which conceptual ideas transform into formal structures. These drawings mark the starting point of a visual system that later expands into painting and object-based works.
Core Searching series: Core Searching Paintings
Core Searching Paintings is a body of paintings that explores bodily movement and performative process through the fundamental formal language of BYR: the color system of Blue, Yellow, and Red, and the geometric structures of the square, triangle, and circle.
Core Searching series: Color Layered Line Drawing Series
“Color-Layered Line” Drawing Series is a body of work in which colored lines, generated through the movement of the artist’s hand across a measured distance, are layered and accumulated on the surface to form fundamental structures and formal relationships centered on the semicircle.









